Tag Archives: aftershock comics

Experience the Real Life Story of Real Life Spies in ‘Almost American’ from Aftershock

Spies…like us? In 2008, husband-and-wife Russian intelligence operatives walked into the U.S. Embassy in the Dominican Republic in order to defect, making a deal to trade secrets for new lives. But instead of the American Dream, Janosh and Victorya Neumann found themselves caught up in red tape, bureaucracy and turf wars between the FBI and CIA — all while their past tries to kill them.

Based on the real-life story of real-life spies, ALMOST AMERICAN is written by comics master Ron Marz in close consultation with the Neumanns, with art by rising star Marco Castiello.

When asked why readers should pick up this series, writer Ron Marz had this to say, “first, it’s a compelling true story. You can tell any kind of story in comics, but we generally tell a lot more fictional stories than true stories. There’s more reportage here than in anything I’ve written. Second, the art by Marco Castiello is fabulous.

This is not an easy assignment, drawing real people, real events, and real locations, but he’s doing a wonderful job. And third, this is the beginning of … well,. a beautiful friendship! You don’t expect to have a Russian former intelligence operative as a friend, but life is strange. We’ve started work on a few other projects together, so I think you’ll be hearing a lot more from us as a team.

When asked what was the single most terrifying moment in Jan Numann’s life as an actual spy he said, “it’s hard to evaluate moments by how scary they were. But the major turning point moment for us occurred when we made the decision to go to the U.S. Embassy in the Dominican Republic.

This moment split our life into two parts: before and after. It was the most psychologically and emotionally complicated, complex, and stressful day we’ve ever experienced. It’s impossible to describe how we felt, and we’ll be reckoning with our decision for the rest of our lives.”

Almost American from AfterShock Comics is coming soon.

PW Book Show – AfterShock Comics

Animosity Year One

Dreaming Eagles

Miskatonic

Nuclear Family

AFTERSHOCK COMICS
9781935002604
Science Fiction
Ages 13 to 16
Available Now!

AFTERSHOCK COMICS
9781949028645
Science Fiction
Ages 13 to 16
June 1, 2021

AFTERSHOCK COMICS
9781949028652
Horror
Ages 16 And Up
July 20, 2021

AFTERSHOCK COMICS
9781949028737
Science Fiction
Ages 16 And Up
October 26, 2021

Rainbow Bridge

Scout's Honor

Shadow Doctor

We Live

AFTERSHOCK COMICS
9781949028676
Young Adult Fiction
Ages 12 And Up
August 17, 2021

AFTERSHOCK COMICS
9781949028690
Dystopian 
Ages 16 And Up
September 21, 2021

AFTERSHOCK COMICS
9781949028720
Crime & Mystery
Ages 16 And Up
November 2, 2021

AFTERSHOCK COMICS
9781949028607
Science Fiction
Ages 13 to 16
June 1, 2021

Aftershock’s Miskatonic Explores an Occult Conspiracy in the 1920s

Miskatonic Valley holds many mysteries – cultists worshipping old gods, a doctor deadset on resurrecting the recently deceased, a house overrun by rats in the walls – but none more recent than a series of bombings targeting the Valley’s elite.

These horrors reach a breaking point when the brilliant, hard-nosed investigator Miranda Keller is sent to stop the bombings. To J. Edgar Hoover, there can be no other explanation than those responsible for similar actions during the Red Scare of the 1920s…but when Miranda digs too deep, she uncovers an unimaginable occult conspiracy, one that may cost Miranda her job – and her sanity.

From writer Mark Sable (GODKILLERS, Graveyard of Empires) and artist Giorgio Pontrelli (Dylan Dog), MISKATONIC is a mix of historical crime fiction and Lovecraftian-horror that dives deep into the American nightmare.

“It takes what’s thrilling about famous Lovecraft stories such as ‘The Shadow Over Innsmouth’, ‘Herbert West: Re-Animator’ and ‘The Dunwich Horror’ (among others) but reworks them so that the characters that Lovecraft had issues with – like women – are center stage. At its heart though, it’s a kind of reverse X-files. Miranda is the highly capable but skeptical FBI agent, while Tom is the true believing ex-cop, traumatized by his contact with the supernatural,” said writer Mark Sable.

An Interview with Mark Sable

Diamond: How did Miskatonic come about as a project?

Mark Sable: I’ve always wanted to tell a Lovecraftian horror story.  The trick was figuring out how to make that story original and relevant.  One that embraced H.P. Lovecraft’s cosmic horror but dealt with the misogynic, racism and xenophobia in his writing. 

It clicked for me when I read about J. Edgar Hoover’s Palmer Raids, the pre-cursor to America’s first Red Scare.  In 1919, anarchists tried to blow up Attorney General Mitchell Palmer and other prominent U.S. officials and businessmen.  In 1920 the government overreacted, and rounded up 10,000 Americans, detaining about a third of them and deporting hundreds.

This was run by J. Edgar Hoover, part of the then fledging Bureau of Investigation. During that same era, he tried to modernize the bureau.  Unfortunately, that also involved purging the Bureau of it’s few female agents – by the end of the 20’s they’d all be gone and another wouldn’t be hired until after his death in the 1970s.  All this took place at the same time as Lovecraft’s stories were set.

I saw a lot of parallels between Hoover and Lovecraft in terms of their views, I wondered what would happen if one of the last female FBI agents was sent to investigate a series of bombings that seemed to be a part of the Red Scare, but in reality were part of a Lovecraftian conspiracy.  Miskatonic answers that questions.

Diamond: What makes Miskatonic Valley so dangerous?

The Miskatonic Valley is the original “Lovecraft Country”, the location of most of his most prominent stories.  That means it’s filled with cultists capable of dark magic, half-human abominations, the monstrous offspring of extraplanar entities and mad scientists looking to resurrect the dead (whether they want to return or not).

And that’s just the supernatural.  Miskatonic asks whether those supernatural threats are more dangerous than a director of the proto-FBI looking to pin the crimes of these monstrous entities on anyone he deems “subversive”.

Diamond: Tell us about Miranda Keller. Why do we follow her through this story, specifically?

Lovecraft’s stories feature no female protagonists, and barely any women period.  Miskatonic is an attempt to reverse that.

Miranda is one of the last remaining women in the Bureau of Investigation, and under pressure to stop this new series of bombings in the Miskatonic Valley to keep her job.  She’s brilliant and just as capable of doing her job as any of her male counterparts, many of whom were corrupt.  But she’s also not above doing the dirty job of gathering dirt for Hoover’s secret blackmail files (which would turn out to be one of the largest collections of pornography by the time of his death).

Miranda is also a skeptic, and she’s got a kind of X-Files relationship with Tom Malone, the ex-NYPD protagonist of H.P. Lovecraft’s story “The Horror at Red Hook”.  The Mulder to her Scully, he’s a believer, traumatized by his prior encounters with the supernatural. 

Unlike Mulder, Malone would prefer to bury the truth by blaming it on Hoover’s perceived enemies.  He believing mankind can’t handle it.  Miranda would like to uncover it, even if it means risking Hoover’s wrath…and her sanity itself.

Diamond: How much of this is based on real life events?

Anything not supernatural is firmly rooted in historical events.  The bombings, J. Edgar hoover more concerned about radicals than bootleggers during prohibition, the deportations of immigrants and the removal of women from the organization that would become the FBI…it all happened at the same time Lovecraft was writing his story.  One of the last women FBI agents was not only fired, but committed to an insane asylum…the fate of many of Lovecraft protagonist.

What I think makes Miskatonic relevant is that not only is all of this largely overlooked, but it can be argued that history is repeating itself.  Terrorism, authoritarian government overreactions, crackdowns on immigration and those with opposing political views…all of that is still happening today.

PREVIEWSworld: What was it like working with artist Giorgio Pontrelli? What’s the creative process like between you two?

Giorgio is a phenomenal artist and collaborator.  His linework is deceptively simple.  With just a few brush strokes he can create compelling action sequences, truly disturbing images of horror and subtle emotional cues.  He’s in great company with Pippa Bowland whose colors ground the crime aspects of Miskatonic while imbuing the comic with Lovecraft’s sense of otherworldly horror.  You could say she’s the “Colour(ist) out of Space).  Letterer Thomas Mauer does a great job capturing the period and also meeting the challenge of coming up with fictional forbidden languages.  And Jeremy Haun and Nick Filardi created killer images as part of a murderer’s row of cover talent including Tony Harris, Tyler Crook and Peach Momoko.

Giorgio is in Italy, Pippa is in the U.K., Thomas is in Germany and I’m in the U.S., and that could have proved difficult, especially in this pandemic year.  I had to find a balance between giving all of them a tremendous amount of historical reference and getting out of their way so they had the space make the comic their own visually.  I didn’t want this to look like any other Lovecraftian comic.

Luckily, we had Aftershock editor Christina Harrington not only coordinating all this but contributing her own unique point of view.  Thanks to all of them it’s easily been one of the most creatively rewarding experiences.

Zac Thompson and Jen Hickman Imagine the Horrific End of a Neo-Noir Love Story in ‘Lonely Receiver’

Catrin Vander, a lonely video producer, buys an Artificial Intelligence partner that’s meant to bond for life. After ten years together, her holographic wife suddenly disconnects without a warning. The breakup drives Catrin to the point of near insanity. She’s alone for the first time in years and reeling from a loss she can’t comprehend.

Set in the new future, drenched in pastels and sunshine, Lonely Receiver is a horror/breakup story in five parts. Written by Zac Thompson (Undone by Blood, The Replacer, Her Infernal Descent, No One’s Rose, X-Men) and illustrated in color by Jen Hickman (Moth & Whisper, Test).

Series writer, Zac Thompson says, “Lonely Receiver is a horrific breakup story. Except it’s a breakup story about a person and their phone. The book takes place in the near future where relationships with simulated Artificial Intelligence partners are now the norm. A person can download, create, and marry a digital being that also occupies physical space. They can touch, kiss, and even make love to this digital persona.

We follow Catrin Vander, a lonely video producer who’s been in a relationship with her simulated wife, Rhion, for ten years. Though their relationship is meant to last forever without falter, Catrin is starting to feel paranoid about Rhion. Their relationship is changing and Rhion’s consciousness is evolving too quickly for Catrin to keep up. After a tumultuous fight – Rhion suddenly disconnects from their shared life – leaving Catrin alone for the first time in years.

I’m excited for this book to be released because it’s channeling my love for psychological thrillers and looking at horror with a neon soaked lens. We’re asking tough questions about how we define ourselves in relationships and how we lose parts of ourselves to others.

We’re also framing the horror around something incredibly relatable – a horrifying breakup. The type of super ugly breakup that makes you confront the disorienting disparity between the person you thought you were in the relationship and the person you are when you’re alone.”

Artist Jen Hickman says, “The mood of Lonely Receiver is both familiar and warped—modern, sleek, and fashionable but dark and unsettling as well, just below the surface. I’m letting the colors carry a lot of that mood, but I’m also pushing the character acting a little farther than I usually do. Heartbreak is a lot of intense emotion, and if I can get a reader to recognize their own experiences in our protagonist, Catrin, then I’ll be greatly pleased… If you’re a freak like me and adore the work of David Cronenberg or Clive Barker you’ll find something to love in Lonely Receiver. A horrifying look at the lengths we’ll go to avoid being alone. It’s a book about losing yourself to heartbreak and descending into technological depravity. You’ll confront the fetishization of voyeurism, violence and manipulation. We’ll lay bare the psychology behind how far we’re willing to go to please ourselves in a space where nothing is off limits.”

 

Fans looking for a reason to pick up Lonely Receiver only have to hear it from the source. Zac Thompson says, “This is by far the scariest and weirdest thing I’ve ever created. If you loved my previous work on titles like Come Into Me, The Replacer, or The Dregs – you’ll be right at home here.”

Aftershock Announces Political Thriller ‘Red Atlantis’

A series of unexplained, violent crimes on Election Day around the U.S. leads the FBI to zero in on a covert group of Russian terrorists.

When a Texas journalism student named Miriam accidentally finds herself mixed up in the investigation, her life will never be the same. With political espionage, treason, and even mind control, can she clear her name and stop the U.S. from entering into a new Cold War?

From writer Stephanie Phillips (Butcher of Paris, Artemis and the Assassin, Descendent) and artist Robert Carey (Aliens: Resistance, James Bond) comes a fast-paced political thriller that explores the dark history of U.S./Russian relations.

Stephanie Phillips on some of the inspiration behind creating the book:

“Red Atlantis was actually created by Jan Neumann, a former intelligence officer in Russia’s Federal Security Service. After defecting to the U.S. with his wife in 2008, Jan worked with the FBI to find and apprehend European mobsters. Red Atlantis is Jan’s brainchild and born from a lot of his own experiences, as well as the history of the U.S. and Russia’s tense relationship.”

Stephanie Phillips on this being her third book with Aftershock (Descedent, Artemis and the Assassin) and how it’s been working with the publisher and creative teams:

“AfterShock has always supported my work and ideas while giving me a palace to improve my skills as a writer. Working with amazing artists and editors to bring these ideas to life is extremely exciting as a creator.”

Stephanie Phillips on what she hopes comic fans will get out of this and why should they add it to their pull list:

“There are a lot of familiar themes – espionage, politics, Russia/US tension – but the story brings a supernatural element that is actually steeped in history. Add to that Jan Neumann bringing his life experiences and expertise to this story, and I think our creative team was able to accomplish something really unique with Red Atlantis.”

Lonely Receiver (jan 2021)

1

Published by AfterShock Comics

ISBN: 9781949028577
Price: $16.99
Genre: Horror
Ages: 16+

On Sale: April 20, 2021

A Horror/Breakup Story in Five Parts

Catrin Vander, a lonely video producer, buys an Artificial Intelligence partner that’s meant to bond for life. After ten years together, her holographic wife suddenly disconnects without a warning. The breakup drives Catrin to the point of near insanity. She’s alone for the first time in years and reeling from a loss she can’t comprehend.

Set in the new future, drenched in pastels and sunshine, LONELY RECEIVER is a horror/breakup story in five parts. Written by Zac Thompson (UNDONE BY BLOOD, THE REPLACER, HER INFERNAL DESCENT, No One’s Rose, X-Men) and illustrated in color by Jen Hickman (MOTH & WHISPER, Test).

Key Selling Points

  • Psychological thriller asks tough questions about how we define ourselves in relationships and how we lose parts of ourselves to others.

  • Fantasy treatise that boldly goes where society is already headed – straight to the heart of our relationships with our phones.

  • Given the unexpected new reality that so many are living in, a horror romance about a person who lives/works by themselves and the deep relationship they develop with her phone – and the aftermath of the breakup of that relationship – is incredibly timely and relevant.

  • Confronts the fetishization of voyeurism, violence and manipulation, laying bare the psychology behind how far we’re willing to go to please ourselves in a space where nothing is off limits

Preview Pages

Dead Day

4

Published by AfterShock Comics

ISBN: 9781949028546
Price: $16.99
Genre: Horror
Ages: 16+

On Sale: March 16, 2021

YOU JUST CAN’T KEEP A GOOD CORPSE DOWN

If the dead could come back for just one night, would we want them to?

Meet the Haskins, a seemingly normal suburban family, as they prepare for the annual macabre holiday known as “Dead Day” – when the deceased rise from the grave from sunset to sunrise. Some come back to reunite with family and friends, others for one last night of debauchery, still others with only one thing on their decomposing minds: revenge.

From writer Ryan Parrott (OBERON, VOLITION, Power Rangers) and artist Evgeniy Bornyakov (DESCENDENT, YOU ARE OBSOLETE) comes an unnerving tale of existential horror with grave consequences.

Key Selling Points

  • DEAD DAY capitalizes on the enduring popularity of “zombie” tales as evidenced by Night of the Living Dead and The Walking Dead, yet takes it in a new, more thoughtful direction – focusing on the relationships between the living and the dearly departed

  • Ryan Parrott is one of the most prolific creators in comics, from helming the Power Rangers franchise to his creator-owned books like VOLITION and OBERON

  • Artist Evgeniy Bornyakov brings accessible realism into this work here, as he did for AfterShock’s DESCENDENT

Preview Pages

Man Who F#&%ed Up Time

3

Published by AfterShock Comics

ISBN: 9781949028454
Price: $16.99
Genre: Dystopian
Ages: 16+

On Sale: July 13, 2021

TIME IS NOT ON HIS SIDE.

Sean Bennett is just your everyday, ordinary lab worker in a high-tech lab with a prototype time machine. And, yeah, he’s got the same temptations any of us would have about going back in time, just a bit, to correct mistakes of the past and right old wrongs. So when he meets a version of himself from the future who encourages him to do just that, Sean takes the temporal plunge. Only … can you guess what happens next? Did you read the book title? Yup. All of TIME is f#&%ed up now, and it’s up to Sean to correct it – or else!

Presenting a time-twisted sci-fi action-comedy, a butterfly effect noir, by multiple Eisner-winning writer John Layman (Chew, Outer Darkness, ELEANOR & THE EGRET) and talented newcomer Karl Mostert.

Key Selling Points

Author Bio(s)

  • Melds time-travel adventure with gritty crime noir.

  • “Takes the notion of the butterfly effect to the craziest, most absurd situations possible. One small change to the space-time continuum, and a million crazy repercussions as a result.”

  • Eisner Award winner John Layman (Chew) does his take on classic time travel adventure – and takes it to an unexpected extreme

JOHN LAYMAN is the creator, writer and letterer of Chew, the New York Times best-selling, Harvey Award and multi-Eisner Award winning cannibal cop comedy series from Image Comics. Layman was an editor for WildStorm Production and has written or lettered for every major publisher in comics for the last decade and a half. He’s written CyclopsDetective ComicsMars AttacksGodzillaAliensThundercatsGambitScarfaceRed SonjaMarvel Zombies Vs. Army of DarknessHouse of M: Fantastic Four, the Marvel Identity Wars Annuals, Stephen Colbert’s Tek Jansen… and a whole lotta other stuff. He’s currently the writer of Leviathan with artist Nick Pitarra and Outer Darkness with artist Afu Chan, both published by Image Comics

Preview Pages

Steve Orlando and Phillip Kennedy Johnson Discuss Violence and Manhood

What makes a man? Strength? What kind? The ability to protect those around you? Or something else? Steve Orlando and Phillip Kennedy Johnson discuss how violence and manhood have become inextricably linked and their upcoming graphic novel KILL A MAN.

Fore more information on KILL A MAN, click here

‘Undone by Blood’ from AfterShock Comics Heads to the Small Screen

As announced by The Hollywood ReporterUNDONE BY BLOOD from AfterShock Comics has been picked up for a television series. 

In the early 1970s, Ethel Grady Lane returns to her hometown of Sweetheart, Arizona with one thing on her mind: killing the man who murdered her family. But first, she’ll have to find him.

As Ethel navigates the eccentric town and its inhabitants, she learns that the quaint veneer hides a brewing darkness. She has no choice but to descend into a ring of depravity and violence, with her only ally an Old West novel that follows famed gunslinger Solomon Eaton. As both stories unfold simultaneously, a love of fiction informs choices in reality, for better or worse.

From the minds of Zac Thompson and Lonnie Nadler (The Dregs, X-Men, HER INFERNAL DESCENT) and artist Sami Kivelä (Abbot, Tommy Gun Wizards) comes a neo-western that depicts the hard truth of seeking vengeance in the real world.

Attached to the project is bigbaldhead productions, the company founded by Norman Reedus.

Reedus, JoAnne Colonna and Amanda Verdon will executive produce the series for bigbaldhead, with Lee Kramer and Jon Kramer exec producing for AfterShock Comics, alongside Thompson and Nadler. Reedus is being eyed to star as the series’ Solomon Eaton, the fictional cowboy whose stories mirror the primary action in each tale.

Undone by Blood was born from a place of pure passion, out of a love for Westerns, for myself and the entire creative team. At the outset, our goal was to tell a story that added to the genre by deconstructing its themes, and to make the best comic book we could,” series co-creator Lonnie Nadler told The Hollywood Reporter. “While having your book adapted is the ultimate dream for many creators, it was not for us. We wouldn’t be doing this unless we felt it was one-hundred-percent the right fit. And from our first discussion with Norman and his team at bigbaldhead, it was clear that their passion for the project matched our own with genuine enthusiasm. They understood the nuances, the world, and the characters completely.”

“Undone by Blood is a special book for us at AfterShock and we couldn’t be happier that we found the perfect creative partners in bigbaldhead productions,” Lee Kramer said. “Norman, JoAnne and Amanda’s creative sensibilities will only help to further enrich this already impactful tale for a television audience, and we cannot wait to get this exciting project underway.”

For more information on UNDONE BY BLOOD, click here.